Showing posts with label covers. Show all posts
Showing posts with label covers. Show all posts

Saturday, November 29, 2008

Makin' Good On Promises...

A few days ago, DNA talked about a cover he's been working on for the new record. That cover is nearly done. "Big Bad John" is a song DNA listened to since before he was born, and is one that DNA couldn't wait to put his imprint on.


"Big Bad John"


If you note at the end, DNA sings, "At the bottom of this mine lies one hell of a man...Big John," which differs from the recorded version. In it, Jimmy Dean says, "At the bottom of this mine lies a big, big man....Big John," but the times being what they were, he couldn't say "hell" to describe some one, even though earlier in the song, "hell" is used in its more literal sense---to describe a worthless pit being a "man-made hell." Go figure. DNA has it on good authority that "hell" was the way to go at the end.

Tell me what you think about it. The original is one of DNA's favorite songs, and he doesn't think he's heard anyone else try to any kind of version of it other than a "country" version.

Saturday, November 8, 2008

Music News....

DNA stayed late at work the other day and began working on one of the last songs for the new record. DNA has always tried to add a cover song or two to his recordings, and this time around, the first cover will be "Big Bad John." This cover also continues a tradition of including a coal mining song on his records.

A couple of years ago, DNA's father-in-law suggested that DNA arrange an album of coal mining songs. So far, 16 tons and Big Bad John fits the bill. How many songs will constitute an album? What if DNA does a 20 minute version of "The Springhill Mine Disaster?" Surely that would be side A.

DNA has a couple in mind, like "Roof Boltin' Daddy," and "Mining Camp Blues," but if you have some favorite mining songs you would like to hear done by DNA, comment away.

Also, DNA will probably do a cover of either the song "Sandman," by America, "Join In The Chant" by Nitzer Ebb, or maybe even "All That I Wanted," by Belfegore.


Of course, DNA's version is pretty fuckin' creepy.


Imagine the dude singing two octaves above and below an actual note instead of shouting the whole thing.


Imagine DNA trying to copy this exactly, and DNA means exactly, as this is perhaps the most perfect example of post-punk, guitar driven new wave that there is.

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